An ongoing self-reflective project demonstrating the power struggle between the visual and written narrative, conceived from online exposure of the ongoing genocide committed by the Israeli Government on the Palestinian state through news, reels, articles, etc. An anthology of images clicked over a period of two weeks around the city are stitched together through conscious thoughts artificially etched on the 35mm film.

The series shows a pseudo interaction between the psyche and the camera of an individual living a materially satisfied life. The subtitle-like aesthetic tries to understand the importance between text-over-image and vice versa. The process was further experimented by showcasing the images on a image dominated social media platform to gain insights on whether it could be proved socially the tussle between words and images. Nevertheless, it was a failed experiment because of the lack of awareness among the people about visualising the world outside their circle and lastly due to this process being reduced to a ‘content’ and a mere ‘reaction’.